MO4S01 - Post-Production 17 Mar 2024 - 31 Aug 2030 | Version 3
Associated Module Information
| Module Code: | MO4S01 | ||
|---|---|---|---|
| Module Title: | Post-Production | ||
| Faculty: | Faculty of Business and Creative Industries | ||
| Faculty Group: | Music and Drama | ||
| Faculty Sub Group: | Music | ||
| Module Leader: | |||
| Module Team: | Stuart Jones, Neil Martin, Stuart Jones, Andrew Gwilliam, Lucy Squire | ||
| First Intended Intake: | JAN 2018 | Final Year of Intake: | |
| Date Closed: | |||
| Credit Value: | 20 | Credit Level: | 7 |
| Language: | English | ||
| Percentage of Module Taught in Welsh: | 0 | ||
| Equivalent Module: | |||
| HECOS codes: | 100223 - music production | ||
| HECOS Code Weighting: | 100 | ||
Document Version Information
| Version | 3 |
|---|---|
| Valid From | 17 Mar 2024 |
| Valid To | 31 Aug 2030 |
Module Aims
The aim of this module is to equip students with a relevant set of techniques, both technically and intellectually, to fully engage in the area of sound and music post-production.
Content Summary
The focus of the module is split between theory and application, including developing professional techniques with advanced technology for sound post-production. Context for both commercial and academic activity will be studied (including theoretical frameworks) related to Foley, sound design, mixing, editing, spotting, voice-over, sound effects generation, and general sound presentation format systems. The module content has applications to disciplines including Television, Film, and Video Games.
Learning and Teaching Methods
| Activity Type | Hours |
|---|---|
| Tutorial | 6 |
| Project supervision | 2 |
| Practical classes and workshops | 18 |
| Independent Study | 132 |
| Lecture | 10 |
| Formative assessment - scheduled | 16 |
| Formative Assessment - Independent | 16 |
| Total Hours Selected | 200 |
Learning Outcomes
| # | Learning Outcome |
|---|---|
| LO1 | Synthesise and effectively apply advanced technological techniques to create high-quality, deadline-driven music productions for both artistic and commercial purposes. |
| LO2 | Exhibit a thorough and multifaceted comprehension of the fundamentals of music production, encompassing its principles, techniques, and workflows, enabling the application of knowledge with a high degree of innovation and originality. |
Module Requisites
N/A
Assessment Criteria
| Assessment Category | Assessment Type | Description | Duration | Word Count | Weight (%) | Best of? | Pass Mark |
|---|---|---|---|---|---|---|---|
| Synchronous Online Practical Assessment | Production (Online) 1 | Sound Design Production. Foley editing and mixing, workflow, post production for a moving | 20 | N/A | 75 | No | 40 |
| Synchronous Online Oral Assessment | Presentation (Synchronous Online) 1 | Critical Reflection. Individual presentation and critical review. | 10 | N/A | 25 | No | 40 |
Assessment Matrix
| Assessment Type | Learning Outcomes | ||
|---|---|---|---|
| LO1 | LO2 | ||
| Production (Online) 1 | ✔ | ✔ | |
| Presentation (Synchronous Online) 1 | ✔ | ✔ | |