FA2S34 - Historical Costume for Screen 01 Sep 2020 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: FA2S34
Module Title: Historical Costume for Screen
Faculty: Faculty of Business and Creative Industries
Faculty Group: Fashion, Marketing and Photography
Faculty Sub Group: Fashion Marketing and Photography
Module Leader: Emma Embling
Module Team: Caroline Thomas, Steven Wright, Callan Matthews
First Intended Intake: SEP 2020 Final Year of Intake: 2025
Date Closed:
Credit Value: 20 Credit Level: 5
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100055 - fashion design
HECOS Code Weighting: 100

Document Version Information

Version 1
Valid From 01 Sep 2020
Valid To 31 Aug 2026

Module Aims

1.To provide the student with the opportunity to take a more personal and individual approach to a project.

2.To provide the student with the opportunity to undertake independent research linked to historical dress for film. This is to be undertaken in great detail enabling the student to select and develop their own project.

3.To present students with the opportunity to apply the research and technical skills acquired to date. It also offers the opportunity to demonstrate their creative ability to the full, whilst working to costume for screen standards.

Content Summary

Students will undertake personal research and select a costume design from a well-known Screen/Television designer. The film choice must be set within the periods 1600-1910. For example a student may choose Marie Antoinette -1750.

The costume design selected must be of an historical angle.

It must also be specified that the original costume design or original art work must be presented and agreed in order for the student to interpret.

They will then carry out an independent enquiry into the cut and construction of the costume design, from the skin up, as appropriate to their individual project.

Students will develop, plan and realise the costumes working to a set budget which will be agreed at the beginning of the module.

A field trip to a museum or exhibition will be arranged to start the research into the silhouette, cut and construction of the costume for this module.

This field trip will present students with the opportunity to collect research in preparation of the pattern cutting process.

Throughout this module students will be able to build on technical skills acquired to date. It also offers the opportunity to demonstrate their creative ability to the full. They will be encouraged to explore new techniques and processes to broaden their individual skillset.

The costume will be cut, constructed and fitted to a performer/model. Fabric research will be carried out and the final selection should demonstrate creativity of interpretation and quality of skill. Accuracy of manufacture through the production of the chosen costume will be considered throughout the process.

Upon completion of the module students will be expected to present their work in front of an industry panel. This will form the main part of the oral presentation element. All costumes will then be professionally photographed and included in their portfolio.

Learning and Teaching Methods

Activity Type Hours
Lecture 1
Tutorial 3
Project supervision 9
Demonstration 5
Practical classes and workshops 10
Supervised time in studio/workshop 20
Independent Study 52
Directed Study 96
Formative Assessment - Scheduled 4
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 Utilise a wide variety of information primary and secondary sources and research to interpret a costume design.
LO2 Apply increasingly advanced knowledge and practical skills to select appropriate and progressively complex techniques and processes when constructing a costume.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Project Output 1 A complete costume from the skin up 0 N/A 90 No 40
Asynchronous Assessment Presentation (Asynchronous) 1 Oral presentation with Q & A from an industry panel 5 N/A 10 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Project Output 1
Presentation (Asynchronous) 1

Reading List

Nadoolman Landis, D.(2007) Dressed: A Century of Hollywood Costume Design., Limited edition, Harper Design;

Waugh, N (2000) Corsets and Crinolines. London: Routledge

Waugh, N (1994) The Cut of Women's Clothes 1600 -1930. Faber and Faber

Salen,J (2008) Corsets: Historic Patterns and Techniques. Batsford

Mikhaila, N. and Maloclm-Davies, The Tudor Tailor-Reconstructing sixteenth century dress. Eric Dobby: Orpington

Bradfield, N (2009) Costume in Detail 1730-1930. Eric Dobby Publishing

Johnston.L (2016) 19th-Century Fashion in Detail: 1800 - 1900 (Victoria and Albert Museum) Thames and Hudson Ltd

Davis R. I (1989) Men's Garments, 1830-1900. Batsford Ltd

DK.(2012) Fashion., UK edition, DK;

www.oscars.org

www.empireonline.org