FH3D16 - Negotiated Practices 01 Sep 2020 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: FH3D16
Module Title: Negotiated Practices
Faculty: Faculty of Business and Creative Industries
Faculty Group: Fashion, Marketing and Photography
Faculty Sub Group: Photography
Module Leader: Lisa Barnard, Eileen Little
Module Team: Paul Reas, David Barnes, Steven Wright, Fergus Thomas, Karin Bareman
First Intended Intake: SEP 2020 Final Year of Intake: 2025
Date Closed:
Credit Value: 40 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100632 - visual communication
HECOS Code Weighting: 100

Document Version Information

Version 1
Valid From 01 Sep 2020
Valid To 31 Aug 2026

Module Aims

  • To develop the student’s ability to originate, develop and produce work to a professional standard as an independent photographer
  • To highlight the importance of negotiation and discussion (unit 2), in the origination and production of a practical project
  • To site the production of work in a contemporary and professional context

Content Summary

Evidencing Practice EP This module contains a six-week immersive learning element.

The module is designed to test the student’s ability to plan, produce, prepare and present a fully finished and complete body of work and an opportunity to evaluate the skills that the students have developed over that last two years. This first unit in the Negotiated Practices module will assess the student’s skills and help them understand their strengths and weaknesses so that they can move forward into their chosen career. This practical project is to be completed within a 6-week limited timescale reflecting the professional activity of a fully competent practitioner. Building on the experience gained in Level 5, this module seeks to consolidate and develop the student’s ability to research, plan, create and present a project to the highest standard, suitable for a professional context. The work will be informed by a specific brief designed to prepare students for industry.

Negotiated Practice NP- Students are asked to undertake a substantial and extensive major practical project negotiated at the outset of the module and this work should be based on their own particular interests and preoccupations within documentary photography practice. This is a pertinent phase in which to make the major piece of work that acts as an introduction to the professional world. As students have moved through the course, they have recognised an emphasis on narrative and the construction of bodies of work. This aspect of the module draws on the early stages of the course, where students were introduced to both traditional touchstones of the contemporary world and more innovative and experimental documentary practices. The project can either be a distinct portfolio of a larger body of work that is connected to their major project or a ‘stand-alone’ project with no connection to their final submission later in the year.

It should be complete and fully resolved and have a clearly identifiable context for its dissemination and distribution. It should be of a very high standard as appropriate for its professional context and presented in an appropriate and fully professional manner.

Learning and Teaching Methods

Activity Type Hours
Lecture 12
Seminar 60
Tutorial 6
Independent Study 216
Directed Study 100
Formative Assessment - Scheduled 6
Total Hours Selected 400

Learning Outcomes

# Learning Outcome
LO1 Identify and negotiate an appropriate and effective strategy for the practical production of two industry standard bodies of work.
LO2 Demonstrate the ability to work independently to a specific brief.
LO3 Illustrate an effective style of working practice/s that are appropriate to the subject and their intended professional context.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Portfolio 2 Students are required to submit between 12 and 15 images in the form of a professional portfolio. A word-processed document (Development Folder) indicating your ideas, research working methods 0 N/A 70 No 40
Asynchronous Assessment Portfolio 1 Students are required to submit between 8 and 12 images in the form of a professional portfolio. The submission should also evidence research undertaken throughout the module. 0 N/A 30 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2 LO3
Portfolio 2
Portfolio 1

Reading List

Campany, D. (2017), Art and Photography, Whitechapel Series, London.

Cotton C (2014) Ed. The Photograph as Contemporary Art. Thames and Hudson

Demos TJ (2013). The Migrant Image: The Art and Politics of Documentary During

Global Crisis. Duke University Press.

Demos TJ. (2017), Against the Anthropocene, Visual Culture and Environment

Durden, M (2013 Ed. Fifty Key Writers on Photography. London: Routledge.

Franklin, S. (2016), The Documentary Impulse, Phaidon Press; 01 edition

Levi-Strauss, D.(2003). Between the Eyes: Essays on Photography and Politics. New
York: Aperture

Harvey A (2011). The Enigma of Capital: And the Crises of Capitalism. Profile Books

Marx K Engels F 2004). The Communist Manifesto. Penguin Classics

Ranciere, J. (2003), trans. Elliott, G 2009, The Future of the Image, U.K. Vers

Ritchin F (2013) Ed. Bending the Frame: Photojournalism, Documentary, and the Citizen. Aperture.

Stallabrass J (2013) Ed. Documents in Contemporary Art. Whitechapel Art Gallery

Strauss, D.L.( 2000), Between the Eyes: Essays on Art and Politics, New York.

Debord G (1984). Society of the Spectacle Black & Red, U.S.