FV2S50 - Filmmaking 3: Experimentation 06 Jul 2023 - 31 Aug 2026 | Version 2

Associated Module Information

Module Code: FV2S50
Module Title: Filmmaking 3: Experimentation
Faculty: Faculty of Business and Creative Industries
Faculty Group: Film and TV
Faculty Sub Group: Film and TV
Module Leader: Joseph Sudlow, Deirdre Russell
Module Team: Philip Cowan, Gwyneth Moore
First Intended Intake: SEP 2020 Final Year of Intake: 2025
Date Closed:
Credit Value: 20 Credit Level: 5
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100441 - film production
HECOS Code Weighting: 100

Document Version Information

Version 2
Valid From 06 Jul 2023
Valid To 31 Aug 2026

Module Aims

• Gain in depth understanding of exemplary works through the analysis of the techniques and aesthetics of professionally produced cinematic outputs.
• Confidently experiment with techniques and methods of filmmaking with the focused intention of expressing a viewpoint.
• Develop team work relatability and cohesion in undertaking intellectual and creative group tasks.

Content Summary

The purpose of this module is to provide the opportunity for students to develop their understanding of film as both a medium of philosophical expression and entertainment. Through close study of specified films/filmmakers and hands-on practical experimentation students will develop their audio- visual communication skills as film thinkers and filmmakers. Lectures and workshops will cover the analysis of the films chosen as case-studies to in form the production of film sequences. In the first part of the module students will analyse different ways in which a film production is critically evaluated as ‘distinctive’,conceptually, formally and aesthetically.

Students will explore ways of utilising audio-visual media to communicate a specific philosophical point of view, and will explore ways of utilising audio-visual media to communicate a specific philosophical point of view

As such this module encourages developing and experimenting with technical crafts in picture and sound. Students can choose fiction, documentary or a hybrid base for their film. Their individual folder will be heavily weighted in their research for their technical and storytelling experiments and their individual craft development.

Learning and Teaching Methods

Activity Type Hours
Lecture 12
Seminar 6
Tutorial 1
Practical classes and workshops 6
Independent Study 100
Directed Study 75
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 Explain how, through the combination of moving images, sounds and words, films effectively communicate meanings and express a philosophical outlook.
LO2 Critically analyse film texts and develop the ability to integrate theory into practice through engagement with research and practical work.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Portfolio 1 An individual portfolio of experimental tasks, alongside research and development related to their individual craft role. 0 N/A 100 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Portfolio 1

Reading List

Costanzo W. V. (2013) World Cinema through Global Genres. Chichester, West Sussex, UK; Wiley-Blackwell.
Gault R.; Schooneover K.(2010) Global Art Cinema: new theories and histories. Oxford University Press.
Mayer S. (2015) Political Animals: The New Feminist Cinema. I B Tarus.
Mosely P. (2013) The Cinema of the Dardenne Brothers. Wallflower Press.
White P. (2015) Women’s Cinema, World Cinema: projecting contemporary feminisms. Duke University Press.
Bal M.(2013) Thinking in Film. Bloomsbury Academic.
Schlemowitz J.(2019) Experimental filmmaking and the motion picture camera: an introductory guide for artists and filmmakers. London; New York: Routledge.