FV3D18 - Advanced Filmmaking 2: Engagement 01 Sep 2020 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: FV3D18
Module Title: Advanced Filmmaking 2: Engagement
Faculty: Faculty of Business and Creative Industries
Faculty Group: Film and TV
Faculty Sub Group: Film and TV
Module Leader: Samo Chandler
Module Team: Nigel Orrillard, Florence Ayisi, Emyr Jenkins, Keri Collins, Joseph Sudlow, Gwyneth Moore
First Intended Intake: SEP 2020 Final Year of Intake: 2025
Date Closed:
Credit Value: 40 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100441 - film production
HECOS Code Weighting: 100

Document Version Information

Version 1
Valid From 01 Sep 2020
Valid To 31 Aug 2026

Module Aims

• Enable students to engage in group work taking on key production roles, completing focussed research and pre-production practices, in order to inform the creation of a project of quality that can stand up to industry scrutiny.
• Support the visual & aural translation of concepts and ideas by encouraging innovation, experimentation and originality, in delivering a quality crafted film project.
• Enable students to critically explore film structures, theories and syntax of film in relation to narrative or non-narrative forms.
• Encourage a collective approach to promotion, distribution and exhibition of their films to a wider audience through film festival and other release methods.

Content Summary

Picking up from Advanced Craft, this module provides students with the opportunity to translate and synthesise their varied experiences and knowledge of film concepts and practices in the industry, learnt over the previous five semesters, into a strong professional standard project, capable of film festival release.

 Advanced Filmmaking emphasises the importance of detailed project development within the process of filmmaking, within all student group roles. In this the module strives to mirror industry processes and procedures. This enables the student to more fully realise the creative aspirations of their projects, advancing their personal and professional development towards future career prospects.

 Students will undertake the realisation of their final fiction, documentary or hybrid film within the context of either mainstream or alternative film practices and produce work that reflects an awareness and understanding of theoretical, contextual and aesthetic aspects of film. They are encouraged to draw upon the full range of their experience, technical knowledge and skills in producing their final film.

 As part of this module students will need to be consciously aware of the environmental impact of their film and will need to:

  • Calculate a production’s carbon footprint using the Albert footprint calculator.

  • Identify strategies that could engage audiences with environmental sustainability.

 The nature of this module, a significant film production, demands a high level of independent practice from collaborative groups of students, with supervision and monitoring support rather than formal scheduled teaching. Once production has finished, each film crew will have a series of edit feedback tutorials on the film as it progresses towards picture lock. There will also be further post-production support and development in the final weeks of the module.

 As this film should be considered as a potential film festival entry, promotional materials in the form of Electronic Press Kits (EPK) are to be generated alongside the film and production folder documenting materials required for the film to be screened in festivals or commercially

Learning and Teaching Methods

Activity Type Hours
Lecture 12
Seminar 24
Tutorial 2
Practical classes and workshops 10
Independent Study 200
Directed Study 150
Formative Assessment - Scheduled 2
Total Hours Selected 400

Learning Outcomes

# Learning Outcome
LO1 Create a sophisticated fiction or documentary film or comparable artefact to a high level, with supporting material.
LO2 Demonstrate the ability to communicate clearly and to engage audiences in the film medium, including creating artefacts to aid the promotion of the film in a public space.
LO3 Assess research materials for their value in the development and production of the film.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Portfolio 1 Each student will provide a portfolio of production evidence, including a reflective journal on their experiences on the film 0 N/A 100 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2 LO3
Portfolio 1

Reading List

Rabinger M. (2016) Developing Story Ideas – 3rd edition, Abingdon: Routledge
Cooper P. and Dancyger K. (1994). Writing the Short Film. Boston: Focal Press.
Cleeve B. (1999). Film Production Management. Boston; Mass: Focal Press.
Grove E (2004) Raindance Producers Lab: lo-to-no budget filmmaking. Oxford: Focal Press.
Marshall P D (2017) Making the Magic Happen. Michael Wiese
Ghadar O M (2013) The Wild West of Film: Best Practices for Your EPK and The Literary Pitch. Washington DC: 20/20 Films.