FA3S44 - Professional Practice 1- Launching Collection Research 01 Sep 2020 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: FA3S44
Module Title: Professional Practice 1- Launching Collection Research
Faculty: Faculty of Business and Creative Industries
Faculty Group: Fashion, Marketing and Photography
Faculty Sub Group: Fashion Marketing and Photography
Module Leader: Fiona Howells
Module Team: Torunn Kjolberg, Steven Wright, Jayne Barne, Joanne Terrar Young
First Intended Intake: SEP 2020 Final Year of Intake: 2025
Date Closed:
Credit Value: 20 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes:
HECOS Code Weighting:

Document Version Information

Version 1
Valid From 01 Sep 2020
Valid To 31 Aug 2026

Module Aims

1. To focus student learning to a specialist fashion design context of their own choosing
2. To provide students with an extended period of opportunity in order to research
3. To make links between studio practice and the critical and contextual knowledge in their critical paper to identify a suitable line of enquiry to their subject prior to production
4. To provide an opportunity for students to plan their workload and to apply advanced project management skills to a self-initiated fashion design project and self-generated brief

Content Summary

This module aims to bring together the application of skills, knowledge and understanding developed throughout the duration of the course, into a cohesive whole, enabling students to apply skills to an area of their choice through a self-generated brief. It provides an opportunity for students to research and develop design ideas from their critical paper and a wealth of sources in order to develop appropriate designs.

Students will be expected to experiment, test and prototype these design developments against a number of professional criteria prior to the production of a more extended fashion collection in the final semester.

Project proposals will be negotiated with tutors at the start of the module. Subject matter will be the choice of the individual learner as an outcome of discussion with staff, and must provide clear opportunities for the student to demonstrate an understanding of all aspects of the design process. Students will be encouraged to develop project proposals that demonstrate a close relationship with their practical, theoretical and critical knowledge.

The agreed project will conform to the guidelines that the student will receive at the outset of the module. In general terms it should be sufficiently comprehensive in scope to provide the student with the opportunity to expand and challenge their ideas, and yet realistic enough to be completed within the semester timetable. The students will develop their own critical path in order to conform to standards set in industry and in order to effectively plan their own workloads so that they manage their time efficiently.

The final module submission should demonstrate a high level of research, design development, and
conform to standards of presentation expected within the area of specialist practice.

This module contains a six-week immersive learning element.

Learning and Teaching Methods

Activity Type Hours
Lecture 5
Tutorial 2
Project supervision 10
Practical classes and workshops 12
External visits 6
Independent Study 100
Directed Study 64
Formative Assessment - Scheduled 1
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 Demonstrate the integration of critical and contextual thinking and visual research to test the parameters of a self-generated brief.
LO2 Apply advanced project management skills to a self-initiated fashion design problem.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Project Output 1 The project output will consist of a body of work in response to a negotiated project brief as follows: • A brief • Research Book • Sampling • Prototypes • Digital testing of prototypes • Critical path project management 0 N/A 100 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Project Output 1

Reading List

1. Aldrich, W. (2008). Metric Pattern Cutting for Womenswear. 5th edn. Oxford: Wiley-Blackwell.
2. Borelli, L. (2008). Fashion Illustration by Fashion Designers. London: Thames & Hudson.
3. Cambell, H. (1980). Designing Patterns- A Fresh Approach to Pattern Cutting. London: Nelson Thornes.
4. Duburg, N and Van der Tol, R. (2008). 2nd Ed. Draping- Art and Craftmanship in Fashion Design. ArtEZ press, D’jonge Hond Publishers.
5. Hopkins, J. (2011). Fashion Design: The Complete Guide. Lausanne; Worthing: AVA Academia.
6. Nakamaichi, T. (2010). Pattern Magic. London: Lawrence King.
7. Nakamaichi, T. (2011). Pattern Magic 2. London: Lawrence King.
8. Nakamaichi, T. (2012). Pattern Magic: Stretch Fabrics. London: Lawrence King.
9. Dieffenbacher, F. (2013) Fashion Thinking. London: AVA
10. Sato, H. (2010) Drape Drape. London: Laurence King
11. Gaimster, J. (2011) Visual Research Methods in Fashion. Oxford: Berg
12. Udale, J. (2014) Textiles and Fashion. New York: Fairchild
13. Udale, J. (2014) Fashion Knitwear. London: Lawrence King