RA2D21 - Intersections: Devised Storytelling 01 Sep 2021 - 31 Aug 2027 | Version 1

Associated Module Information

Module Code: RA2D21
Module Title: Intersections: Devised Storytelling
Faculty: Faculty of Business and Creative Industries
Faculty Group: Music and Drama
Faculty Sub Group: Drama
Module Leader: Ian McNish
Module Team: Sian Summers
First Intended Intake: SEP 2021 Final Year of Intake: 2026
Date Closed:
Credit Value: 40 Credit Level: 5
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes:
HECOS Code Weighting:

Document Version Information

Version 1
Valid From 01 Sep 2021
Valid To 31 Aug 2027

Module Aims

To enable committed and ongoing collaborative devising process open to artforms besides theatre.
To emphasise the importance of research in theatre making.
To encourage the exploration of theory with theatre and vice-versa.

Content Summary

This module is concerned with the intersection of theatrical play with theory and with other artforms. Explicitly, the module builds on the introduction to a broad range of performance related theory undertaken in the Perspectives on Performance module at Level 4. Following is an indicative approach to delivery of the module. The module leader places students into small theatre ensembles. These companies make theatre, carrying out collaborative research as they investigate pertinent connections with other artforms and relevant practitioners associated with \\\"devising\\\". As the year progresses, the companies become increasingly independent. Individuals and companies are expected to observe good studio practice as established in the Practical Lab and Professional Practice 1 modules at Level 4 throughout. Sharing by ensembles of research and work-in-progress before the whole year group will be a feature of the module. There will be an assessed sharing of work (that is, a performance) near the end of the first term and a final performance near the end of the module. There will also be a substantial individual written assignment.

Learning and Teaching Methods

Activity Type Hours
Practical classes and workshops 72
External visits 12
Independent Study 160
Directed Study 140
Formative Assessment - Scheduled 16
Total Hours Selected 400

Learning Outcomes

# Learning Outcome
LO1 Establish a small ensemble-based theatre making practice with a distinctive mission
LO2 Create collaborative, devised theatre informed by theatre theory and open to other artforms
LO3 Explore critical or other suitable theory in practice
LO4 Utilise theatre-historical and/or contextual research in support of practice

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Project Output 1 Performance 1 - Sharing of Work in progress 0 N/A 25 No 40
Synchronous Onsite Practical Assessment Performance (Onsite) 1 Final ensemble performance 0 N/A 50 No 40
Asynchronous Assessment Essay 1 Critical Essay 0 2500 25 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2 LO3 LO4
Project Output 1
Performance (Onsite) 1
Essay 1

Reading List

Brecht, S. (2007). The Theatre of Visions: Robert Wilson. London: Methuen Drama
Bogart, A (2007) And Then, You Act: Making Art in an Unpredictable World. London: Routledge.
Brook, P. (2008) The Empty Space. London: Penguin Modern Classics.
Govan, E., Nicholson, H. & Normington, K. (2007) Making a Performance. London: Routledge.
Heddon D. & and Milling J. (2015) 2nd ed. Devising Performance: A Critical History (Theatre and Performance Practices). Basingstoke: Palgrave
Huxley, M. (2002) The Twentieth Century Performance Reader. London: Routledge.
Lecoq, J. (2006) Theatre of Movement and Gesture. London: Routledge.
Mermikades, A. and Smart, J. (2010) Devising in Process, London: Palgrave
Macmillan.
Mitchell, K. (2008) The Director’s Craft: A Handbook for the Theatre. London: Routledge.
Murray, S. and Keefe, J. (2007) Physical Theatres: A Critical Introduction.
London: Routledge.
Murray, S. and Keefe, J. (2007) Physical Theatres: A Critical Reader, London:
Routledge
Pavis, P. (2006) Analyzing Performance: Theater, Dance, and Film. Ann Arbor: The University of Michigan Press.
Radosavlejvic, D. (2013). The Contemporary Ensemble: Interviews with
Theatre Makers. London: Routledge.
Rozik, E. (2004) Generating Theatre Meaning: A Theory and Methodology of Performance Analysis. Brighton: Sussex Academic Press.