RA3T04 - Research Project 06 Jul 2023 - 31 Aug 2027 | Version 2

Associated Module Information

Module Code: RA3T04
Module Title: Research Project
Faculty: Faculty of Business and Creative Industries
Faculty Group: Music and Drama
Faculty Sub Group: Drama
Module Leader: Jodie Allinson
Module Team: Ian McNish, Matthew Gough
First Intended Intake: SEP 2021 Final Year of Intake: 2026
Date Closed:
Credit Value: 60 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes:
HECOS Code Weighting:

Document Version Information

Version 2
Valid From 06 Jul 2023
Valid To 31 Aug 2027

Module Aims

To enable students to develop research and, where appropriate, collaboration skills to an advanced level
To facilitate in-depth practice-as-research into subject areas of student choice, as agreed with a supervisor and the module leader
To develop students abilities to produce an extended piece of written work.

Content Summary

This module facilitates substantial independent practice research projects. Student projects may be in such areas of theatre, drama and performance as the following: acting, applied drama, devising, directing, dramaturgy, production management, placements or participant-observer roles (in theatres, schools, the cultural / creative industries and so on, whether face-to-face or facilitated remotely) theatre/cultural industries, technical theatre, online performance, outdoor performance, writing for performance and more.
Projects may be collaborative or individual. The course may consolidate projects and / or their delivery depending on student numbers and other delivery considerations. Supervision is normally by project. Students, in agreement with a named supervisor, will agree a field of study and will work, with regular supervisions, towards a major piece of individual practice research. Live play productions may be bundled into a festival in which festival production conditions would be normally observed. Placements are structured through agreed research questions. Applied drama projects for external clients are very welcome. Placements and applied projects with external partners may be conducted face-to-face or remotely, as appropriate to conditions.
For assessment purposes, projects comprise two separate yet complementary elements: practice and critical/reflective writing in form of an extended essay. Careful guidance and support is given to students (either group or individual as appropriate) through workshops, seminars, tutorials and work in progress sessions in which teaching staff have the opportunity to see work at various stages of rehearsal or like processes. Potential ethical issues, depending on the subjects investigated and methodologies employed, will be reviewed on a case-by-case basis by the module leader.

Learning and Teaching Methods

Activity Type Hours
Lecture 8
Project supervision 75
Practical classes and workshops 25
Independent Study 288
Directed Study 200
Formative Assessment - Scheduled 4
Total Hours Selected 600

Learning Outcomes

# Learning Outcome
LO1 Construct an individually negotiated theatre and drama practice research project
LO2 Demonstrate advanced skills in appropriate research methodologies
LO3 Reflect on how the project undertaken intersects with a post-graduation career, further education and/or an artistic trajectory
LO4 Through active research, contextualise the project within theatre and drama studies and / or related disciplines

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Project Output 2 Project - Collaborative or individual practice research project 0 N/A 40 No 40
Asynchronous Assessment Project Output 1 Project - Collaborative or individual practice research project to live brief 0 N/A 30 No 40
Asynchronous Assessment Essay 1 Critical essay produced in response to a research question 0 5400 30 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2 LO3 LO4
Project Output 2
Project Output 1
Essay 1

Reading List

Booth, W. (2008) The Craft of Research. Chicago: University of Chicago Press.
Nelson, R. (2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Palgrave Macmillan.
Kershaw, B. and Nicholson, H (2010) Research Methods in Theatre and Performance. Edinburgh University Press
Arlander, A., Barton, B., Dreyer-Lude, M. and Spatz, B. (eds) (2017) Performance as Research: Knowledge, Methods, Impact. Routledge