CK2S15 - Media, Gender, and Global Diversity 06 Jul 2023 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: CK2S15
Module Title: Media, Gender, and Global Diversity
Faculty: Faculty of Business and Creative Industries
Faculty Group: Film and TV
Faculty Sub Group: Film and TV
Module Leader: Peter Jachimiak
Module Team: Daryl Perrins, James Rendell, Gwyneth Moore
First Intended Intake: SEP 2023 Final Year of Intake: 2025
Date Closed:
Credit Value: 20 Credit Level: 5
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes:
HECOS Code Weighting:

Document Version Information

Version 1
Valid From 06 Jul 2023
Valid To 31 Aug 2026

Module Aims

This module aims to introduce students to the canon of gender studies scholarship. In doing so, the students will be offered a range of theoretical perspectives that will then form the tools needed to both interpret and interrogate the ways in which gender is performed, imagined, and contested across multiple media platforms on both a national and a global scale.

This module will also aim to encourage students to engage with a thorough consideration of the application and execution of appropriate research methodologies and approaches to studying gender and global diversity. With, in turn, all of the week-by-week lectures being driven by research-informed teaching.

Finally, this module aims to reinforce students’ appreciation of gender as social identity which is inherently embedded within wider, and often strongly delineated, global gendered communities.

Content Summary

The module will take a holistic approach to its topic, situating gender, firstly, within western society as an ongoing negotiation between the needs of capital - indicatively underpinned by the nuclear family - and progressive movements and cultural shifts which seek to redefine that relationship. Students, for example, will be introduced to: first and second wave feminism exploring its cultural manifestations right through to the later post-feminism; the changing role of masculinity - defined monolithically through strength and labour in the industrial age but replaced in the post-industrial epoch by the plurality of masculinities; debates around gender fluidity and gender as performance; queer theory, transfeminism, and gender identity as self-elected; gender critical debates that revolve around such new orthodoxies. Especially those to do with the ways in which these designations intersect with racial, class and national identity (all key determinants in opening the topic up to engage with the overarching debates to do with equality, diversity, and inclusivity).

As such, this module considers a range of issues and themes, appertaining to media, gender, and global diversity, whereby constant reference will be made to gender-based case studies that are to be found amid a range of texts and media forms (including literature, film, television, popular music, social media, and the Internet).

In short, then, this modules will cover a broad spectrum of issues appertaining to the enactment and study of gender from recognisably western examples, through to less familiar global forms, as well as ‘nationless’ transnational modes indicative of an increasingly mobile global population whose experience is without borders.

Learning and Teaching Methods

Activity Type Hours
Lecture 18
Seminar 18
Independent Study 92
Directed Study 72
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 On successful completion of this module students will be able to demonstrate their widening knowledge of theoretical approaches to the combined study of media, culture, and gendered communities, as appropriate to Level 5.
LO2 On successful completion of this module students will be able to demonstrate their enhanced study skills, in particular those relating to research, essay planning, and critical academic writing, as appropriate to Level 5.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Visual Journal 1 One 8-minute Video Essay responding to one set question from a choice of options. 8 N/A 50 No 40
Asynchronous Assessment Research Plan / Proposal / Project/ Log 1 One 2,500 word Extended Research Project, where the student, engaging with identifiable research methodologies, conducts an in-depth, case study-based analysis of an aspect of gendered global diversity of their own choosing. 0 2500 50 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Visual Journal 1
Research Plan / Proposal / Project/ Log 1

Reading List

Aaron, M. (ed.) (2004).?New Queer Cinema: A Critical Reader, New Brunswick: Rutgers University Press.

Auslander, P. (2006)?Performing Glam Rock: Gender and Theatricality in Popular Music, Ann Arbor: University of Michigan Press.

Benshoff, H. M., and Griffin, S. (eds.) (2004) Queer Cinema: The Film Reader, London: Psychology Press.

Bourne, S. (2005)?Black in the British Frame – The Black Experience in British Film and Television. London: A & C Black.

Bradbury-Race, C. (2019)?Lesbian Cinema After Queer Theory, Edinburgh:?Edinburgh University Press.

Carter, C., Steiner, L., and McLaughlin, L. (eds.) (2013) The Routledge Companion to Media and Gender, London: Routledge.

Dominelli, L. (2019) Women and Community Action: Local and Global Perspectives. Bristol: Policy Press.

Erickson-Schroth, L. (ed.) (2022) Trans Bodies, Trans Selves: A Resource by and for Transgender Communities. Oxford: Oxford University Press.

Funnell, L. (2014)?Warrior Women – Gender, Race, and the Transnational Chinese Action Star. New York: Suny Press.

Gaini, F. and Nielsen, H. P. (eds.) (2021) Gender and Island Communities. London: Routledge.

Ging, D. and Siapera, E. (2019) Gender Hate Online – Understanding the New Anti-Feminism. Houndmills: Palgrave Macmillan.

Greven, D. (2011)?Representations of Femininity in American Genre Cinema – The Woman's Film, Film Noir, and Modern Horror. New York: Palgrave Macmillan.

Griffin, G. (2017) A Dictionary of Gender Studies. Oxford: Oxford University.

Grossman, A. (2000)?Queer Asian Cinema – Shadows in the Shade. London: Psychology Press.

Hines, S. and Sanger, T. (2010) Transgender Identities: Towards a Social Analysis of Gender Diversity. New York: Routledge.

Kaplan, E.A. (ed.) (2019) Women in Film Noir, London: Bloomsbury Publishing.

Krijnen, T., Alvares, C., and van Bauwel, S. (eds.) (2011) Gendered Transformations: Theory and Practice on Gender and Media, Bristol: Intellect.

Mac an Ghaill, M. and Haywood, C. (2006) Gender, Culture and Society: Contemporary Femininities and Masculinities. Houndmills: Palgrave Macmillan.

Mennel, B. (2012)?Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys, New York: Columbia University Press.

Nealy, E. (2017) Transgender Children and Youth: Cultivating Pride and Joy with Families in Transition. New York: W. W. Norton.

Oliver, K. (2017) ‘The male gaze is more relevant, and more dangerous, than ever’, in,?New Review of Film and Television Studies,?Volume 15, No. 4, pp.451 – 455.

Powrie, P., Davies, A., and Babington, B. (eds.) (2004)?The Trouble With Men: Masculinities in European and Hollywood Cinema, New York: Wallflower Press.

Rezai-Rashti, G.M. (2007) ‘Transcending the limitations: women and the post-revolutionary Iranian cinema’, in,?Critique: Critical Middle Eastern Studies,?Volume 16, No. 2, pp.191 – 206.

Sundén, J. and Sveningsson, M. (2013) Passionate Play – Gender and Sexuality in Online Game Cultures. London: Routledge.

Tamagawa, M. (2022) The Japanese LGBTQ+ Community in the World: The COVID 19 Pandemic, Challenges, and the Prospects for the Future. London: Routledge.

Tincknell, E. (2005) Mediating the Family: Gender, Culture and Representation, London: Arnold.

Vincent, B. (2020) Non-Binary Genders: Navigating Communities, Identities, and Healthcare. Bristol: Policy Press.

Waldrep, S. (2004) The Aesthetics of Self-Invention: Oscar Wilde to David Bowie, Minneapolis: University of Minnesota Press.

Waters, M. (2011) Women on Screen: Feminism and Femininity in Visual Culture, Houndmills: Palgrave Macmillan.

Whelan, B. and Kapell, M. W. (eds.) (2019) Women and Video Game Modding: Essays on Gender and the Digital Community, Jefferson: McFarland.

Zukin, S. (2018) ‘The Spike Lee Effect: Reimagining the Ghetto for Cultural Consumption’, in, The Ghetto, London: Routledge, pp.137 – 157.