DA1S05 - Contextual Studies 1: Exploring (Ideas / Thinking / Art) 01 Sep 2024 - 31 Aug 2030 | Version 1

Associated Module Information

Module Code: DA1S05
Module Title: Contextual Studies 1: Exploring (Ideas / Thinking / Art)
Faculty: Faculty of Business and Creative Industries
Faculty Group: Games and Design
Faculty Sub Group: Design
Module Leader:
Module Team: Deb Jones, Emma Marshman
First Intended Intake: SEP 2024 Final Year of Intake: 2029
Date Closed:
Credit Value: 20 Credit Level: 4
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100059 - fine art
HECOS Code Weighting: 100

Document Version Information

Version 1
Valid From 01 Sep 2024
Valid To 31 Aug 2030

Module Aims

Provide critical context for students’ practice

Introduce students in some detail to practices and concepts currently informing the creative industries

Develop different forms of critical analysis

Develop research, writing and presentation skills

Content Summary

This academic module will concentrate on key periods of western art history to demonstrate their relevance to contemporary art practice, providing students with historical and contemporary, theoretical and critical contexts in which they operate as artists and create their own work.

The format of the lessons will focus on a different time period and theory each lesson, introducing artworks and associated ideas through lecture and seminars.

Students will be introduced to a survey of Global art, with emphasis on periods of significance and how they relate to contemporary practices to gain an understanding of the relevance of theory and criticism in contemporary art. Subjects to be focused on include:

·       Iconography

·       The Gothic

·       The Everyday

·       The Naked & the Nude

·       Art in Wales

·       Globalisation & Inclusivity

·       The Virtual & the Real

·       The Value of Art

Through engagement with these subjects, students will develop the study skills and basic methodologies appropriate to this level of study, with which to interrogate art’s objects, histories, and critical contexts. Research and reading skills will be developed. Written responses to research and reading will develop an academic voice and skills such as referencing using the Harvard format. Discussion and presentation of ideas will be central as students research set texts provided in an anthology, in class and respond in chaired discussions in order to scaffold and share understanding.

Learning and Teaching Methods

Activity Type Hours
Lecture 12
Seminars 12
Tutorials 1
Practical Classes and Workshops 11
External Visits (Including Fieldtrips) 3
Independent Study 80
Directed Study (including online independent learning) 74
Formative Assessment (Scheduled) 2
Groupwork 3
Problem/Challenge based learning 2
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 Critique a range of knowledge, understanding the diversity of perspectives outside of dominant viewpoints.
LO2 Interpret and communicate information, arguments and analysis in a variety of practical and intellectual forms.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Research Plan / Proposal / Project/ Log 1 Proposal and Evaluation of Practical Assignment 1 (Unessay) 0 1000 20 No 20
Asynchronous Assessment Practical Written Work 1 Exercises undertaken in class aimed at assessing the application of knowledge, analytical, problem-solving or evaluative skills + 500-word proposal + 500-word rationale. 0 N/A 80 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Research Plan / Proposal / Project/ Log 1
Practical Written Work 1

Reading List

Castellano, C. G. (2021) Art Activism for an Anticolonial Future. New York: SUNY Press.

D'Alleva, A. & Cothren, M. (2021) Methods & Theories of Art History (3rd Edn.) London: Laurence King.

Getsy, D. J. (2016) Queer: Documents of Contemporary Art. London & Massachusetts: Whitechapel Gallery & MIT.

Glahn, P. & Levine, C. (2024) The Future Is Present: Art, Technology, and the Work of Mobile Image. Massachusetts: MIT.

Johnstone, S. (2008) The Everyday: Documents of Contemporary Art. London & Massachusetts: Whitechapel Gallery & MIT.

Kholeif, O. (2021) Art in the Age of Anxiety. Massachusetts: MIT.

Lord, P. (2023) The Tradition: A New History of Welsh Art 1400–1990. Cardigan: Parthian.

Panofsky, E., (1993, orig. pub. 1955) ‘An introduction to iconography and iconology’ in Meaning in the Visual Arts. Chicago: University of Chicago Press. Available at: http://www.neiu.edu/~wbsieger/Art202/202Read/202Panofsky.pdf (Accessed: 15 Dec. 2023).

Rodríguez Muñoz, B. (2020) Health: Documents of Contemporary Art. London & Massachusetts: Whitechapel Gallery & MIT.

Williams, G. (2007) The Gothic: Documents of Contemporary Art. London & Massachusetts: Whitechapel Gallery & MIT.