FV3S29 - Advanced Storytelling Development 01 Sep 2024 - 31 Aug 2026 | Version 1

Associated Module Information

Module Code: FV3S29
Module Title: Advanced Storytelling Development
Faculty: Faculty of Business and Creative Industries
Faculty Group: Film and TV
Faculty Sub Group: Film and TV
Module Leader: Keri Collins
Module Team: Nigel Orrillard, Emyr Jenkins, Gwyneth Moore, Laura Ferguson
First Intended Intake: SEP 2024 Final Year of Intake: 2029
Date Closed:
Credit Value: 20 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100058 - film studies
HECOS Code Weighting: 100

Document Version Information

Version 1
Valid From 01 Sep 2024
Valid To 31 Aug 2026

Module Aims

  • Equip students with a range of techniques to generate new ideas for film and television projects, both entirely original, and those based on or inspired by existing intellectual property.

  • Develop and substantially extend, students’ comprehension and ability to work creatively with film and  television development practices, including developing ideas for the appropriate format (fiction/non-fiction). 

  • Provide an inspiring, supportive, highly stimulating intellectual and creative environment dedicated to the exploration of shifting personal identities, relationships and wider contemporary ideas. 

  • Enable transferable, graduate attributes essential to a broad range of careers related to collaborative, creative development skills in other fields of creative writing, research, journalism, marketing, politics and education. 

Content Summary

Through a short series of lectures the contextual historical, theoretical and practical knowledge of film and television storytelling across various broadcast and exhibition platforms is instilled. 

Students work collaboratively in a Writers’ Room/Ideation Workshop environment to produce either individual fiction screenplays or documentary/non-fiction commissioning packages, developed via separate pathways, delivered to a professional industry standard, in addition to an individual critical reflection on their own projects.

Learning and Teaching Methods

Activity Type Hours
Seminars 6
Tutorials 2
Practical Classes and Workshops 6
Independent Study 92
Directed Study (including online independent learning) 92
Formative assessment - scheduled 1
Formative Assessment - Independent 1
Total Hours Selected 200

Learning Outcomes

# Learning Outcome
LO1 Compose a creative work presented to a professional standard both individually and through collaborative contributions to the development of others’ work.
LO2 Apply independent research, critical thought and originality in the understanding and evaluation of relevant debates and techniques within a particular creative field.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Portfolio 1 Fiction Screenplay / non-fiction documentary commissioning package and research portfolio that specifically includes an articulation of the principal creative decision making related to the screenplay project under set headings, with Harvard bibliography. 0 N/A 100 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Portfolio 1

Reading List

Campbell, J. (reprint) (1948) The Hero with a Thousand Faces. New York: Harper-Collins Egri, L. (2004) The Art of Dramatic Writing, New York, Simon and Schuster 

Heath, M. (1996) Aristotle: Poetics, London, Penguin 

Truby, J. (2008) The Anatomy of Story, New York: Farrar, Strauss and Giroux. 

Vogler, C. (2007) The Writer’s Journey: Mythic Structure for Writers. 3rd edn. Studio City, California: Michael Weise Productions 

 BBC. How to Make a Taster Tape. http://www.bbc.co.uk/academy/production/article/art20130702112135595 (accessed on 20th Feb 2013) Brandt, C. (2008) Read, Research and Write: Academic Skills for ESL Students in Higher Education. London: Sage Publications. 

Collier, J. (1986) Visual anthropology: photography as a research method. Albuquerque: University of New Mexico Press. Emmison, E. and Smith, P. (2000) Researching the Visual. London, Sage. 

Lees, N. (2010) Greenlit: Developing Factual/ Reality TV Ideas from Concept to Pitch. London: Methuen Drama. Lees, N. (2012) Give the Money and I’ll Shoot: Finance your Factual TV/ Film Project. London: Bloomsbury. 

Luck, M. (1999) Your student research project. Aldershot: Gower. 

Marshall, P. (1997) Research methods: how to design and conduct a successful project. Plymouth: How To Books.