6B023E - Creative Access in Museums and Galleries 01 Sep 2026 - 31 Aug 2032 | Version 1

Associated Module Information

Module Code: 6B023E
Module Title: Creative Access in Museums and Galleries
Faculty: Faculty of Life Sciences and Education
Faculty Group: Psychology and Therapeutic Interventions
Faculty Sub Group: Therapeutic Studies
Module Leader: Becky Davies
Module Team: Heloise Godfrey-Talbot, Emily Bull
First Intended Intake: SEP 2026 Final Year of Intake: 2031
Date Closed:
Credit Value: 30 Credit Level: 6
Language: English
Percentage of Module Taught in Welsh: 0
Equivalent Module:
HECOS codes: 100476 - health and social care 100493 - applied psychology 101361 - creative arts and design
HECOS Code Weighting: 30 30 40

Document Version Information

Version 1
Valid From 01 Sep 2026
Valid To 31 Aug 2032

Module Aims

The main aims of the module are: 

  • To equip students with knowledge and practical skills to design and implement creative access solutions for museums and galleries, supporting high standards of professional practice. 

  • To encourage students to apply principles, ethical approaches to accessibility, and develop values informed by social model of disability and universal design, developing values-driven approaches that demonstrate empathy, flexibility, and a commitment to equity and inclusion in diverse cultural contexts. 

  • To provide opportunities for students to create accessible artworks and resources for exhibition, strengthening artistic identity while building confidence in applied, work-based learning that responds purposefully to community needs. 

Content Summary

During this module, you’ll explore how creative practices can enhance accessibility in cultural spaces. You will learn to design and produce resources that make museums and galleries more inclusive, with a focus on visitors who are Blind or partially sighted. Topics include touch tours, the social model of disability, and principles of universal design, whilst developing and applying knowledge of Four Modes of Listening. Through practical workshops, critical discussion and working with industry partners, you will develop accessible artworks and interpretive materials for exhibition in a museum setting. This module encourages you to think creatively about removing barriers and promoting equity, contributing to your broader understanding of how art can support wellbeing and inclusion within professional settings and your own arts practice. 

Learning and Teaching Methods

Activity Type Hours
Guided Study 10.5
Independent self-directed learning 173.5
Scheduled Learning and Teaching 56
Summative Assessment and preparation 60
Total Hours Selected 116

Learning Outcomes

# Learning Outcome
LO1 Deliver socially conscious creative access experiences in museum and gallery contexts, demonstrating critical understanding of inclusive, ethical, and safe practice.
LO2 Develop and apply advanced creative skills to produce accessible artworks and interpretive resources that demonstrate inclusive and socially conscious practice.

Module Requisites

N/A

Assessment Criteria

Assessment Category Assessment Type Description Duration Word Count Weight (%) Best of? Pass Mark
Asynchronous Assessment Practical Coursework (Asynchronous) The chosen assessment— digital documentation of the created access resource artwork for exhibition in a museum or gallery—is designed to reflect authentic professional practice within the Creative and Therapeutic Arts sector through the documentation of artwork and creating an access resource that responds to a brief. 0 N/A 100 No 40

Assessment Matrix

Assessment Type Learning Outcomes
LO1 LO2
Practical Coursework (Asynchronous)

Reading List

Bobel, C. et al (2019) Body Battlegrounds: Transgression, Tensions and Transformations  

Cachis, A. (2024) Creative Access: A pedagogy for Arts Leaders. 12(1), p.1 - 17  

Chick, A. (2017) Co-creating an Accessible, Multi-sensory Exhibition with the National Centre for Craft & Design and Blind and Partially Sighted Participants: REDO: Culmulus International Conference, Denmark, 30 May – 2 June. Demark: Kolding Design School.  Available at: http://eprints.lincoln.ac.uk/id/eprint/27590/ (Accessed: 01 August 2020). 

 

Eardley, A F. et al (2025) The museum accessibility spectrum: Re-imagining access and inclusion.  

Eardley, A J. et al (2025) The W-ICAD model: redefining museum access through the Workshop for Inclusive Co-created Audio Description. 68(1), p.219-242. New York) 

Etmanski, A. (2020) The Power of disability: 10 Lessons for surviving, thriving and changing the world. P.101-113  

Fryer,L. Et al (2022) Integrated access in live performance   

Lenz Kothe, E. (2016) ‘Mapping Invitations to Participate: An Investigation in Museum Interpretation’, International Journal of Art & Design Education, 35(1), pp.86-106.  Available at: http://web.b.ebscohost.com/ehost/detail/detail?vid=2&sid=6f787879-0a4a-488f-8fd5-1cf57cd1fa39%40pdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=113308342&db=a9h 

(Accessed: 2 August 2020). 

   

Rinck,J. (2019) Process and presence: Art and disability. 113, p.60-62  

Simon, N. (2010) The Participatory Museum.  Available at: http://www.participatorymuseum.org/read/ (Accessed: 2 August 2020). 

  

Ucar, E. (2015) ‘Multisensory Met: Touch, Smell, and Hear Art’ Digital Underground section of The Met Museum Blog, 8 September.  Available at:  https://www.metmuseum.org/blogs/digital-underground/2015/multisensory-met (Accessed: 1 August 2020). 

   

Wilder, K. and McPeake, A. (2025) Beyond the visual: Multisensory modes of beholding art. London: UCL Press