MSc Music Engineering and Production
01 Sep 2024 - 31 Aug 2030
| Course Leader | Stuart Jones, Matthew Evans |
|---|---|
| Course Team | Neil Martin, Lloyd George, Andy Cooper, Andrew Gwilliam |
| Awarding Body | University of South Wales |
| Teaching Institutions | University of South Wales |
| Modes of Study | Full Time, Part Time |
Document Version
| Version | 6 |
|---|---|
| Valid From | 01 Sep 2024 |
| Valid To | 31 Aug 2030 |
QAA Benchmarks
Educational Aim
The course aims to prepare students for employment and portfolio careers within the Music and related creative and cultural industries through:
- Producing graduates with professional-level skills and experience to develop and sustain a career in the creative technologies industries.
- Providing students with applied research experience and problem-solving skills in the use of modern creative technologies.
- Providing students with a rich and in-depth educational experience, supporting lifelong learning and continued professional development.
- Producing graduates capable of critically appraising the specification, design, and performance of creative technologies in music production, film and broadcasting, animation and internet based audio.
Learning Outcomes
| A1 | A systematic understanding and critical awareness of the principles relating to state of the art music engineering and production tools, with emphasis on both the potential and limitations of such tools and the effects of these in the production of creative tangibles. |
| A2 | A comprehensive understanding and experience of the main music engineering systems, with comparative experience and knowledge of specialised systems. |
| A3 | A conceptual understanding of the foundation technologies and their manifestation in myriad system configurations. |
| A4 | A critical awareness of the social, ethical and environmental responsibilities of creative technologists working with music engineering and production technologies and processes. |
| B1 | The ability to select and apply appropriate production methodologies based on current available research and industry operation, for the creation of commercially viable tangibles. |
| B2 | The ability to apply originality and self-direction in the selection and application of creative technology systems and techniques. |
| B3 | The ability to evaluate creative technologies and their appropriate application in challenging and diverse situations. |
| B4 | Assimilate and apply knowledge and experience of a broad body of repertoire, and to call upon detailed comprehension of the texts, resources, concepts and issues associated with it. |
| C1 | Execute and manage a substantial project, which unifies the principles and methods in the choice, application, and appraisal of creative technologies with due regard to time constraints and commercial consideration. |
| C2 | Demonstrate self direction and originality in the selection and application of a wide range of industry standard creative technology equipment, instruments, and pertinent computer hardware/software in the solution of research based and industry and commercially derived problems. |
| C3 | Critically evaluate, select and use music engineering and production tools in the generation of creative tangibles with consideration of financial, economic and environmental factors. |
| C4 | Produce professional-level tangibles commensurate with industry standards and expectations. |
Course Structure
Level 7 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| MO4S11 | MOD001192 | Recording | Running | 20 | specified |
| MO4S19 | MOD010906 | Creative and Cultural Entrepreneurship (Music and Sound) | Running | 20 | specified |
| MO4T01 | MOD001193 | Major Project | Running | 60 | specified |
| MO4D03 | MOD013824 | Production Portfolio | Running | 40 | specified |
| MO4D04 | MOD013851 | Post Production | Running | 40 | specified |
Teaching and Assessment
Learning and Teaching Methods
USW Enabling Active Learning Principles (Production Portfolio)
The MSc Music Engineering and Production course at USW aims to immerse students in the multifaceted world of music production, equipping them with the skills and knowledge to excel professionally. The Production Portfolio module serves as a fundamental component, emphasizing skills and practices that are relevant and applicable in the real-world industry.
Building Inclusive and Accessible Communities
We have intentionally created an environment that promotes inclusivity. Activities are designed to encourage collaboration, facilitating the exchange of diverse ideas and experiences, which mirrors the collaborative nature of the professional music production industry.
Active Learning Opportunities
The module is heavily experiential. Students engage in live recording sessions, mix critiques, and mastering projects, both individually and in teams. This hands-on approach ensures they face real-world challenges, simulating the demands of the professional music industry.
Accessible Learning Resources
Our online platforms, such as the Teams site, house a wide array of tutorials, readings, and software demos. This ensures students can access resources at their convenience, catering to different learning rhythms and styles.
Student Contribution to Learning Resources
By encouraging students to share their mixes, recordings, and production techniques, we not only foster a sense of ownership but also allow the student community to learn from diverse production approaches.
Scaffolding and Informal Assessment
Assignments are progressive, each building upon the last, ensuring continuous skill development. Feedback sessions are frequent, making students' learning progress visible and offering avenues for improvement.
Enquiry and Discussion Over Instruction
Instead of traditional lectures, our sessions are dynamic, emphasising group discussions and practical problem-solving. This approach ensures students think critically, a skill vital in professional music production.
Personal Interactions with Tutors and Industry Professionals
Regular mentorship sessions with industry professionals and academic tutors ensure students gain insights from those at the forefront of the industry, making their learning journey practical and relevant.
Feedback Mechanisms
We actively encourage feedback, ensuring our teaching approach remains aligned with student needs and industry trends. This year, we are piloting the Assignment function in Teams to provide feedback to students.
Support Services
The University provides a full range of study services to support students with assignments. These include writing skills, academic skills, student, mentoring, and additional assistance on presentations, literature reviews, dissertations and exams. These services can be easily accessed online, or via the campus Advice Zone desk.
Reflective Spaces
Reflection is integral to growth. Students are encouraged to critique their work, reflecting on feedback and considering their production choices in the context of wider industry trends.
Employer Engagement
Visiting Speakers
The course has a diverse range of professionals from industry supporting the teaching of full-time members of staff. This format is invaluable at all levels of study, benefitting from specialist discipline input. In addition to this, the faculty regularly invite speakers from a wide scope of disciplines in the creative industries covering Music Production, Industry and Entrepreneurship. Students are encouraged to also attend cross faculty events where speakers from other specialist areas share their expertise. This encourages building networks within their specialist discipline, the creative industries in general and beyond.
Industry Projects
Industry Visits
Volunteering
Fieldwork
Site visits are an integral part of project work where students survey, document and analyse a building or space, usually along with the client or project representative. This is a valuable chance for discussing and questioning other individuals outside of the university network.
Fieldtrips
Visiting specific places of interest for projects, industry events, as well as international trips presents a good opportunity for the students to show initiative to engage in intellectual discussion with individuals who are there to discuss subjects relative to these spaces.
Work Placements or Internships
There is ample opportunity presented in the course to prompt work shadowing and experience, as well as formal placements. This is facilitated through externally set briefs, industry guided project work, portfolio reviews and mentor support in year three. We also encourage the students to seek out their own opportunities either through their own contacts or at the networking events organised for them. Where appropriate, we also advise students when positions are available.
Work-based Learning
The course includes numerous live briefs, so students will encounter industry contact over the three years of the degree. Design briefs are set relative to live projects working with real organisations and clients to reflect industry processes. Often, these projects work to prompt initial concept ideas for projects to be procured in the future by the client with sometimes further input from students. Students may also pursue additional work-based learning.
Sandwich Years
Employer Forums
Due to the format of the course, we can maintain a continuous and proactive dialogue with industry partners, professional mentors and placement employers. We also engage in wider industry specific events that are at the forefront of the discipline.
Other
Means of Assessment
The outcomes will be assessed through a balanced strategy comprising practical laboratory work, and assignment based coursework including a series of major practically based assignments, which are in the main either research or industrially derived, together with the MSc Final Major Project.
Assessment methods are chosen to ensure that the student achieves a balance of academic and presentational skills with practical and analytical skills so that they have the academic and research abilities expected at Masters level while maintaining vital creative and technical abilities required in professional situations.
The pedagogical approach of the MSc sees assessment as a way of testing learning outcomes through professionally relevant means, wherever possible. Assessment is an integral part of the learning experience that will contribute to the process of learning as well as to its measurement. Efforts have been made to ensure that all assessments are suited to purpose, are valid and that, wherever possible, assessment takes the form of professionally-accepted norms and standards of communication. Assessment will maintain an expectation of the use of sound research practices, formal presentation structures and recognized academic referencing formats.
Assessment will reflect the Learning and Teaching strategies of the course. Learning aims are set against learning outcomes and will be redefined following feedback from assessments.
All assessments will be marked internally by at least two members of academic staff and a selection of material will be sent to the External Examiner. All practical work will be filmed/recorded.
Learning Support
Induction
The induction week serves primarily as an opportunity for new students to familiarise themselves with the course, the faculty, and their peers. It is a time for them to comfortably settle in and understand what lies ahead in their academic journey. The week begins with a comprehensive introduction to the course, ensuring students are well informed about the course structure, module formats, timetable, and an overview of the content. A key goal of this initial phase is to ensure students feel at ease and fully informed about what to expect during their time on the course.
In addition to this formal introduction, the week is filled with various activities designed to help students familiarise. These include opportunities to meet and interact with the teaching staff and fellow students, as well as to explore the faculty, Cardiff, and the broader South Wales area. These activities aim to build a sense of community and familiarity among the students and the faculty.
Personal Academic Coach1
N/A
Learner Analytics
Learner analytics will be used to monitor student performance in real-time and provide additional support if required.
Office hours
Typically, at least one staff member is present in the studio or staff offices. Students will be notified about the scheduled office hours for drop-in sessions and tutorials related to specific coursework.
Tutorials
The specialized nature of the course and its assessment objectives necessitate frequent tutorial involvement. This approach fosters independent growth, supported by one-on-one tutorials and small group discussions as needed. Given the dynamic nature of the production process, these tutorials are designed to be adaptable, highly proactive, and customized to meet the specific needs of each individual.
Seminars
Module seminars are a key part of the curriculum. They provide an opportunity to bring a student group together in a more formal session where critique and discussion can take place.??
Formative Assessment
Some assignments and modules will allow for formative assessments at key stages in the project development at proposal and concept stages for example. This allows us to provide valuable feedforward input. A full list of these can be located in the MSc Assessment Handbook.
Progress meetings
Throughout the project modules, we hold frequent group meetings to review overall progress, explain the objectives of the brief, discuss achieved outcomes, and the ambitions for the ongoing coursework. These sessions are designed as open discussions to guarantee clarity on the project's goals and the requirements for the final presentation and submission. Additionally, these meetings are crucial to align with the expectations of any external clients or organizations involved. We recommend these discussions for both individual and group project outcomes.
Research Supervision
In this postgraduate MSc music engineering and production course, students receive consistent guidance in their research methods and activities from their tutors at every stage of their studies. This consistency not only enriches their learning but also instills a strong work ethic that positively influences their practice. Research supervision becomes particularly significant in the Final Major Project module, where students work on their dissertations under close supervision. Communication and support are provided through various channels, including email, studio discussions, scheduled meetings, drop-in sessions, as well as during timetabled sessions.
Online Resources
In this postgraduate MSc music engineering and production course, we place a strong emphasis on utilising MS Teams online resource for an enhanced learning experience. All course materials, including the course handbook, module content, and additional learning resources, are readily accessible on Teams, our advanced Virtual Learning Environment (VLE). This platform not only hosts the core materials but also provides links to pertinent information relevant to each module.
Advice Zone
We make sure that the students are aware of the help and support that they can receive from the Student Advice Team at the Atrium with any issues, especially if this is affecting their studies. This is particularly important with matters around health and wellbeing. We also make sure that they are aware that there is valuable support in Student Development and Study Skills and advice for any student finance concerns.
Disability
The Disability Service is there to provide confidential and tailored support and guidance for students who have disabilities, both seen and unseen, as well as advice on help available for any learning difficulties.
IT/Library
In addition to the resources available at any time via the VLE, we have a great selection of reference material available in the library covering all aspects of the subject area with a fantastic collection of books and journals. Some of these are also available to access online. The course works closely with the librarian to make sure that the content is relevant and as easily accessible as possible for the students with a library induction provided during induction week. Along with their online student account that gives access to Unilearn, email, printing and account activity, the students can use computers and digital equipment available for them in the studio and workshop. These all have industry standard software and also a license to the Autodesk suite to use on their own laptops. They can also access the media loans to borrow any additional IT devices.
Course Exit Points
| Award | Criteria | Final |
|---|---|---|
| Master of Science | 180 credits of which at least 150 must be at Level 7 and no more than 30 at Level 6 | Final |
| Certificate of Higher Education | 60 credits with at least 40 at Level 7 and no more than 20 at Level 6 | Exit |
| Diploma of Higher Education | 120 credits of which at least 90 must be at Level 7 and no more than 30 at Level 6 | Exit |
Progression Route
Industry
Music producer, sound engineering, audio technician, mixing engineer, mastering engineer, recording engineer, live sound engineer, studio manager, music director, acoustic consultant, sound designer, broadcast engineer, audio post production engineer, music technology educator, music consultant, foley artist, digital audio editor, film scorer, music therapist.
Entry Requirements
Admission to the course is typically through the following qualifications:
Typically, we require a 2:1 Honours Degree in an appropriate area. However, if applicants have solid professional industry experience rather than academic achievement, this may be acceptable for entry to study at this level through a process called Accreditation of Prior Experiential Learning (APEL).
All applications are considered on an individual basis.
We also welcome international applications with equivalent qualifications and English level of IELTS 6.0 with a minimum of 5.5 in each component or equivalent. Please visit Immigration & International Student Advice | University of South Wales for details.
Portfolio
Please provide evidence of a website or any other form of digital portfolio as part of your application. This should be the first section of your personal statement or uploaded in section 12 of the application form.
Inclusive Curriculum Statement
The University of South Wales operates a policy of inclusive learning, teaching and assessment to ensure that all students have an equal opportunity to fulfil their educational potential. Course teams will have considered ways of designing out any potentially disadvantageous element of courses during the course design process. However some specific needs may remain, details about how to apply to have your needs assessed can be found at: http://unilife.southwales.ac.uk/pages/3040-disability-and-dyslexia-service/
Addendum for Delivery at a Partner Institution
N/A
Methods Of Quality Standards
N/A
Quality Of Standards Indicators
N/A