FdA Art Practice
01 Sep 2026 - 31 Aug 2028
| Course Leader | Christopher Nurse |
|---|---|
| Course Team | Carol Hiles |
| Awarding Body | University of South Wales |
| Teaching Institutions | Merthyr Tydfil College |
| Modes of Study | Full Time |
Document Version
| Version | 4 |
|---|---|
| Valid From | 01 Sep 2026 |
| Valid To | 31 Aug 2028 |
QAA Benchmarks
Educational Aim
This course aims to:
Facilitate individual, collaborative and innovative work in the area of art practice and its related fields.
Facilitate acquisition of appropriate knowledge and understanding, development of the necessary personal attributes, and mastery of the essential skills, which will equip and prepare students for continuing personal development and professional practice.
Provide opportunities for the development of a broad range of industry-relevant transferable skills, with particular emphasis on communication, social, technical and entrepreneurial skills.
Develop an understanding of professional practices and employment opportunities within art practice and related fields.
Develop and apply analysis and reflection in relation to the critical, historical, conceptual and ethical dimensions of fine art practice.
Facilitate an approach to problem solving and creative practice, which employs convergent and divergent thinking in the processes of observation, investigation, speculative enquiry, visualisation and making.
Learning Outcomes
| A1 | Articulate and synthesise knowledge, skills and understanding in effective ways in the contexts of creative and historical practice, work based learning, employment, further study, research and self-fulfilment. |
| A2 | Apply underlying concepts and principles of art practice outside the context in which they were first studied and the application of those principles in a work context. |
| A3 | Demonstrate subject specific and generic knowledge, skills and understanding and evaluate critically the appropriateness of different approaches to solving problems in art practice and apply these in a work context. |
| A4 | Engage with the concepts, values and debates that inform study and practice of art and art history, their objects and artefacts, as well as an awareness of the limitations and partiality of historical knowledge and a confident engagement with the processes and applications of historical analysis. |
| B1 | An understanding of their own creative processes and practice through engagement in the production of artwork, its curation and presentation. |
| B2 | The ability to evaluate their own work in a reflexive manner, with reference to academic and/or professional issues, debates and conventions |
| B3 | An understanding of their own intellectual and technical capabilities through engagement in art practice, in critical and cultural debate |
| B4 | The application of appropriate and effective research for creative practice, art history and critical studies. |
| C1 | Time-management, self-motivation, personal initiative, organisational skills, planning, strategising and prioritising |
| C2 | Ability to negotiate, work with others, communicate, take responsibility, comply with regulations and undertake group membership skills |
| C3 | Detailed knowledge and experience of complex processes, the nature and behaviour of materials, media and machines, the organisation and planning ahead of events, processes and use of resources. |
| C4 | Ability to articulate the skills, knowledge and understanding required to be employable and entrepreneurial within the creative and cultural industries. |
Course Structure
Level 4 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| VH1D020 | MOD010097 | Art Practice 1.2 Research | Running | 40 | core |
| VH1S025 | MOD010094 | Art Skills 1.1 | Running | 20 | specified |
| VH1S026 | MOD010095 | Art Skills 1.2 | Running | 20 | specified |
| VH1S027 | MOD010096 | Art Practice 1.1 Deconstruct | Running | 20 | specified |
| VH1S028 | MOD010098 | Art and Its Histories | Running | 20 | specified |
Level 5 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| VH2S032 | MOD010100 | Professional Studies: Placement | Running | 20 | specified |
| VH2S033 | MOD010101 | Art Skills 2 | Running | 20 | specified |
| VH2S034 | MOD010102 | Contexts and Methodologies | Running | 20 | specified |
| VH2T026 | MOD010099 | Art Practice 2 Create | Running | 60 | core |
Teaching and Assessment
Learning and Teaching Methods
Students are encouraged to exhibit their work in the college gallery as a simulation based exercise preparation for exhibition opportunities in public galleries. Mock interviews are conducted to build confidence in communicating ideas and presenting portfolios.
Lectures form an integral part of all practical and contextual coursework modules in providing students with an effective method of presenting and analysing relevant information. Lectures may form part of an introduction to a practical module or be specifically timetabled for Art History.Seminars are conducted in both practical and contextual studies based modules. Seminars form the basis of encouraging interaction between staff and students and help generate and enhance students thought processes and ideas. (e.g. student presentations, small group work, role-play)Students are asked to sit in on each other’s tutorials, in order to provide further opportunities to sharpen their critical skills and to foster collaborations and a community of practice.
Professional Study and modules provide opportunities for students to engage in group work and activities throughout the course. Students work as part of a team with employers as well as when presenting work in exhibitions. Assessment of group or collaborative outcomes is done on an individual basis through evaluative reporting (oral, visual and written) in presentations, visual journals and blogsStudents are required to achieve 60 credits of Professional Studies. Students undertake work placement with an employer and produce online websites and written coursework work which record their engagement and experience.The course requires students to produce 84% physical or virtual practice based outcomes (including professional studies) and 16% theoretical, based outcomes, largely written essays or research investigations. These figures involve the synthesis, of often extensive secondary source research, undertaken by students as a means to inform and develop their art practice and professional studies, and which forms part of their assessment for each module.
For specific modules students create work on location in response to particular environments. Fieldwork will include meetings and discussions off campus related to professional studies and work placement opportunities.First and second year students take part in a field trip to London as part of their studies. The trip, which takes place over 3 days, entails visits to major collections and exhibitions, students are required to undertake research appropriate to a module brief. A foreign trip is organised each year, which students from both years may attend.FD students are also able to join in with college-wide trips, which are organised for BTEC and A Level students.Learning and teaching is supported on-line through the provision of learning materials and reading lists on Unilearn. Comprehensive briefs are provided for each module, which outline its theme, aims and objectives, content of taught sessions, suggestions for research, and assessment requirements. Students are also provided with extensive technical notes and health and safety information. The course makes use of Unilearn for announcements and email, art history and contextual studies assignments are presented via Turn It In. Students are provided with a course handbook, study timetable and assessment timetable on-line (these are also provided in hard copy in the studios).Directed study allows students to plan and carry out a self-directed project, working one-on-one with a faculty member as required for Art Practice 1 and 2 modules
Independent study will involve students working without tutor support or supervision. Students will be required to work independently in their studio space or outside of the college environment. Supervised time in the studio or workshop environment will take place during the delivery of skills modules. Demonstration of digital software, uses and applications of a variety of art materials would normally occur at the beginning of a module and is included in allocation of time spent in practical workshops The summative assessment of a students’ performance occurs at the end of each year. However some work is also assessed formatively throughout the period of the academic year so as both tutor and student can monitor progress. Formal assessment will often combine both formative and summative elements, for example when a visual journal is returned to a student with a mark and some comments.
Employer Engagement
Employer Engagement will be achieved by:
Visiting Speakers
Volunteering
Volunteering is an opportunity for students to improve their chances of prospective employment and an important way of gaining skills required for a future career. Students will be expected to reflect on their choice of an appropriate volunteering placement within the creative industries in the first instance. An application or meeting with a prospective employer would then be arranged.
Fieldwork
For specific modules students create work on location in response to particular environments such as the Welsh Heritage coastline.
Field Trips
Field trips are organised for student groups to meet with employers to discuss and plan possible work placements. Students are also expected to independently research possible work placement opportunities as part of professional studies.
Work Placements
Appropriate timetables and work placements are agreed between employers and students. Students would then be expected to carry out a planned period of work experience, which corresponds to the professional studies module.
Work-based Learning
Opportunities for professional skills development and work-based learning are embedded within modules in both years of the course rather than in separate modules devoted to WBL. These opportunities will ensure that students are equipped with skills required to document and promote their work and themselves within professional contexts. The college currently employs a full-time Work Placement Officer who undertakes vetting and monitoring of work experience placements supported by a Health and Safety Officer. Opportunities to undertake individual and collaborative practice within work-based contexts will enable students to gain valuable experience of work within the creative industries sector.
Sandwich Years
N/A
Employer Forums
Employers are invited to come into college to discuss work placement opportunities with staff and students. During these meetings employers are invited to use the time as an opportunity to comment on effectiveness of these placements and their relevance for future employability.
Other
Professional studies enable work placement opportunities for students wishing to pursue careers in education through supporting and working with the teaching team at Merthyr College.
Means of Assessment
Learning Support
Students receive inductions to the library and student support services to become familiar with resources, where to locate them and how to use them. Students receive inductions to the various workshops: print-making, drawing and ceramics, which includes health and safety and risk assessment. Students receive inductions that focus on key skills for art history including essay writing, Harvard referencing and writing critically.
FD award leader acts as personal tutor for students across the board as the course has a small cohort of around 10-12 students per year.
Open door policy allows students to approach tutors and personal tutor during non-taught hours.
Tutorials are given throughout the course for each module to monitor student progression. For practical modules tutorials consist of looking at, and discussing journals, annotations, research, ideas, and works in progress. For art history modules, tutorials are given on a one to one basis, and are time-tabled in once work on assignments begins with each student having the opportunity to discuss ideas, research, study skills, and works in progress on a weekly basis, if desired, otherwise weekly during the month before deadlines.
A combination of lectures and seminars are conducted as standard practice to introduce a new module and enable group discussion during the course of development of the project. Seminars also occur on a weekly basis in art history modules to discuss set texts and address study skills such as research, essay writing, essay structuring, Harvard referencing, critical writing, etc.
Longer running modules require students to submit early assignments before a final summative assignment. Shorter modules will be formatively assessed through tutorials with a final summative assessment.
Students have 3 half hour pastoral tutorials spread through the year.
Students’ research progress is supervised throughout modules. Modules begin with an overall introduction to relevant artists and lists of artists to research are given. Thereafter, students gain further marks for independent research, and this is supervised through regular tutorials and informal discussion.
Online resources are provided by tutors via Moodle and by the library.
Students are directed to the advice centre to additionally gain advice and skills in research, writing and general study. Representatives are also called in to provide lectures on key study skills such as Harvard referencing and essay writing. Students are encouraged to use the college Student Services to seek help with study skills and especially with the academic Art History modules if needed. This can help with improving level of written work in critical studies and visual Journals, explaining how the assessment criteria are applied to determine performance and how students can address the criteria effectively through their work, their statements of intent, research folios and approaches to research. The student support system operates on a strictly confidential one-to-one basis and students find this beneficial.
Those students with conditions such as dyslexia are advised to approach the advice centre to gain further assistance such as note-takers, study skills and technology designed to assist. Students can also make use of the Disability & Dyslexia Service drop-in appointments and gain general access to Disability Advisers to discuss support requirements, answer queries or discuss funding for support.
The arts have a high degree of dyslexic practitioners, many will begin the course having already been diagnosed with conditions during school or lower level education and will understand the processes for gaining assistance such as digital equipment and software to assist their studies, as well as note takers and advisers. This can help with improving the level of written work in critical studies and visual journals, explaining how the assessment criteria are applied to determine performance and how students can address the criteria effectively through their work, their statements of intent, research folios and approaches to research. However, some students slip through the net and begin FD without knowing that they are disadvantaged by an undiagnosed condition. These students are usually identified through written work, assignments and seminars at level 4. Once identified they can be introduced to Student Services and begin the process of diagnosis and gain assistance.
The library induction introduces students to the wide range of resources available freely online via the USW and Merthyr College hubs including books, articles, journals, images, radio, TV and films. The college also offers a wide range of IT equipment both in class, in the library and in designated areas on each floor that students can access and use. This includes both PC and Macs with a wide range of software aimed at general and subject specialist use.
Course Exit Points
| Award | Criteria | Final |
|---|---|---|
| Foundation Degree in Arts | 240 credits of which at least 100 must be at Level 5 or above, 100 at Level 4 or above and no more than 20 at Level 3. Of the 240 credits, at least 40 credits must be derived from Level 5 work based learning | Final |
| Certificate of Higher Education | 120 credits of which at least 100 must be at Level 4 or above and no more than 20 at Level 3 | Exit |
Progression Route
The following progression routes are available: Upon successful completion of the course, students may choose to progress (subject to course-specific requirements) to the final year of an appropriate undergraduate degree course at the University of South Wales, or any similar course with an alternative provider. From September 2019, Level 6 of BA Art Practice will be delivered from the College’s Merthyr Tydfil campus. Other employment progression routes available include: Self-employed/supporting artist – commissions, grants, residencies, artists’ co-operatives Participatory arts practitioner and collaborative artist Teaching Assistant curation in museums and galleries and alternative venues Arts management and administration Craftsperson Sculptor, public artist Other career opportunities also become available in the design and performing arts sector, Educational/schools/museums programmes that include elements of art practice and art history Arts health and wellbeing
Entry Requirements
Admission to the course is typically through the following qualifications:
Admission to the course is normally through gaining one of the following qualifications:
FD Standard entry requirement
A Pass grade in BTEC National Diploma/Certificate or equivalent in a related subject orA Pass grade in BTEC Diploma in Foundation Studies, Art & Design or2 A Levels at grade D and above orMature students will be invited to bring a portfolio of work to interview and will be considered on an individual basis. Relevant or prior experience will be taken into account orApplicants from overseas will need to provide evidence of 6.0 IELTS score or equivalent experience to a level not lower that than required for students from the UK. Applicants will also be expected to either send a portfolio of work or negotiate with the award tutor regarding email or web site equivalent. A face-to-face interview.
Plus 3 GCSE passes at grade C or above to include Mathematics and English Language.
Inclusive Curriculum Statement
The University of South Wales operates a policy of inclusive learning, teaching and assessment to ensure that all students have an equal opportunity to fulfil their educational potential. Course teams will have considered ways of designing out any potentially disadvantageous element of courses during the course design process. However some specific needs may remain, details about how to apply to have your needs assessed can be found at: http://unilife.southwales.ac.uk/pages/3040-disability-and-dyslexia-service/
Addendum for Delivery at a Partner Institution
N/A
Methods Of Quality Standards
Course Management
\\rThe Course Leader works with the course team to develop a course to its full potential so that it provides a professional, employment-focused learning experience for students. The Course Leader oversees academic standards, quality assurance and enhancement.
\\rThe FD Art Practice can demonstrate its quality assurance arrangements through:
\\r• The college following the QAA guidelines for the Foundation Degree course.
• Tutors completing module reviews (including those related to work based learning) and students evaluate modules.
• The college also participating in the NSS.
• All tutors gaining Recognised Teachers Status in line with University regulations.
• Information sent to the appropriate department at the University in the form of the annual monitoring and review.
• College AMER prepared and reviewed at both College and University Quality committees.
• Students’ work moderated at exam boards.
• The appeals procedure issued to students as part of their handbook at induction.
• Feedback from employers achieved through questionnaire.
• Internal moderation.
• External examiners.
• Annual monitoring.
• Employer feedback.
• Student feedback.
• Investor in People status.
• Highly supportive QAA institutional audit.
Quality Of Standards Indicators
Arrangements for Feedback to Students
\\rThe arrangements for providing feedback to students on their assessed work within 20 working days are:
\\rStudents receive feedback within 20 days following deadline submission of work. The course applies the generic grading criteria that are used across the University and indicate the levels of performance that merit the different degree classifications: 1st / 2:1 / 2:2/ 3rd and fail. This grading criteria has been adopted as indicative of typical qualities associated with grades and degree classifications. They are descriptive rather than prescriptive. The profiles below are multi-dimensional, and excellence in one dimension can compensate for poor performance in another.
Grading criteria will be adopted in line with USW standard conventions, which detail progression through levels.
Student Representation
\\rStudents on this course will be represented at meetings with teaching staff and other members of the University by Course Representative and Student Voice Representatives.
\\rThe role of the Course Representatives is to elicit the views and issues of the students they represent, and reflect these views/issues at Student/Staff Course Liaison Groups (SSCLGs) and feedback to the students the outcomes/actions from the SSCLGs.
\\rStudent Voice Representatives are responsible for representing their group of Course Representatives at Course Boards and Faculty Quality Assurance Committee and Faculty Learning and Teaching Enhancement Committees.
\\rCourse Monitoring
\\rThe University is responsible for both the standards of its awards and for the quality of its students’ learning experience. In order to ensure that standards are maintained and there is continuous enhancement a process of regular review, known as annual monitoring take places. This purpose of the process is to evaluate and improve course quality, ensure the best possible student experience within the resource available and to identify and disseminate good practice. It also ensures that appropriate action is taken to remedy any identified shortcomings and enhance provision.
\\rExternal Examiner
\\rExternal examining provides one of the principal means for maintaining UK academic standards within autonomous higher education providers. The majority are drawn from other higher education institutions in the UK. In some cases there will be external examiners drawn from industry or practice.
\\rThey provide carefully considered advice on the academic standards of the courses and/or modules to which they have been assigned, and can offer advice on good practice and opportunities to enhance the quality of those courses/modules. They are also able to offer an informed view of how standards compare with the same or similar awards at other higher education providers (primarily in the UK, and sometimes overseas as well) of which they have experience.
\\rExternal Examiners provide annual written reports to the University based on what he/she has observed of the University’s assessment processes and student assessed work.
\\rThe External Examiner(s) associated with this course are recorded in the Course Handbook.
\\rEngagement with Subject Benchmark Statements, QAA Quality Code, CQFW and FHEQ
\\rThe teaching team has considered a range of internal and external sources of guidance in developing the course. The University’s Learning and Teaching Strategy 2013-17 outlines the means by which the University aims to fulfil learner potential in contributing to the social and economic requirements and the wider skills agenda within Wales and beyond; the Academic Blueprint for all Undergraduate courses at University of South Wales advises on the key principles to be considered in the design and review of courses; the University Assessment For Policy outlines how assessment should be used to enhance learning, and sets tariffs for assessment weightings. The QAA These key documents have enabled the team to ensure that the proposed course is in line with the University’s expectations for new and revised curricula. In addition, the Faculty provides guidance on designing learning outcomes and key skills for its courses, which ensures that these essential elements of curriculum design are appropriate to the academic level and subject.
\\rThe course also responds to key drivers from the Welsh Government. For instance, the Credit and Qualifications Framework for Wales (CQFW) provides guidance on the expectations of knowledge, understanding and skills at each level which has helped the team to situate potential student achievement within the nationwide educational framework.
\\rThe UK Quality Assurance Agency (QAA) Quality Code gives higher education providers a shared starting point for setting and maintaining academic standards and assuring the quality of the learning opportunities they provide. Specifically the 2015 Characteristics Statement for Foundation Degree informed the aims and objectives for the course. The code informs the quality assurance practices of the University and College in general, but it has enabled the teaching team to ensure that the course has been developed in line with UK wide academic standards. The QAA also provides comprehensive subject guides which have contributed to the design of the course aims, learning outcomes and key skills.
\\rThe teaching team has taken care to ensure that module learning outcomes map to course outcomes, please see the ‘Learning Outcome Matrix’.
\\rThe forms and weighting of assessment have been selected to best demonstrate, test and measure learning outcomes.
\\rThe modules proposed within this document have been authored with due reference to the University regulatory frameworks and also in respect of the CELT assessment tariff
\\rThis re-validation proposal has been developed as a result of critical reflection and discussion within the teaching team. The development of this document has been informed by a process of consultation which has included: Employers; The Head of School of Art and Design; Staff of the Foundation Degree Art Practice, Senior Lecturers on the BA (Hons) Art Practice, the Collaboration Link Officer and the Principal Quality Officer at USW and Student Representatives.
\\rConsideration has been given to the structure, content and position of this course in relation to competitive courses in Wales and the South west of England.