BSc (Hons) Sound, Lighting and Live Event Technology
01 Jul 2023 - 31 Aug 2029
| Course Leader | Rob Locke |
|---|---|
| Course Team | Philip Hughes, Jack Elderfield, Rhiannon Williams, Lloyd George, Steve Fisher |
| Awarding Body | University of South Wales |
| Teaching Institutions | University of South Wales |
| Modes of Study | Full Time, Full Time Sandwich |
Document Version
| Version | 1 |
|---|---|
| Valid From | 01 Jul 2023 |
| Valid To | 31 Aug 2029 |
QAA Benchmarks
Educational Aim
To provide vital technical skills to students wishing to enter the world of entertainment and events in a variety of roles. Students may use these skills to become technical specialists within a chosen field, or technical project managers. This skills base appreciates the artistic world and seeks to enable performances in all their technical forms.
The aims of BSc (Hons) Sound Lighting and Live Event Technology provision are to:
Provide curricula, informed by external reference points, which develop a range of technical, professional, vocational, employability, transferable and key skills appropriate to the level of the award;?
Develop lifelong, independent and reflective learners;?
Widen participation in the areas of the technology, entrepreneurship, media and related disciplines;?
Increase access to higher education from under-represented groups in the local community;?
Produce capable and well-rounded graduates who will contribute to the skill base of the local economy and region;?
Provide a framework in which employers, partners, stakeholders and providers can collaborate to develop the curriculum;?
Enable students to develop transferable skills and knowledge which will enhance their contribution and develop their full potential in technical event related industries, education or the world of freelancing;?
Enhance the employability and career prospects of students;?
Create progression opportunities for suitably qualified practitioners to access relevant postgraduate courses;?
Develop reflective skills and problem-solving techniques in applying knowledge and skills to a variety of contexts within the areas of technical production, technology research, and entrepreneurship;?
Respond to changes in the regional labour market in the performance sector.?
The educational aims, curriculum content, learning outcomes and structure of the course references the following documents:?
University Of South Wales 2030 Curriculum Design
USW Quality Manual April 22
University of South Wales Policies (On-line. Accessed Oct 2022)?
Regulations For Taught Courses 2022/2023
Assessment life cycle
Including Assessment Tariff 2022
Academic Blueprint 2.0
QAA Subject Benchmark Statement: Communication, Media, Film and Cultural Studies December 2019
CELT Inclusive Practice
https://celt.southwales.ac.uk/developing/inclusive-practice/
Learning Outcomes
| A1 | Acquire and apply knowledge of core theories relating to technical production techniques for sound, lighting, and video. |
| A2 | Understand and utilise the underpinning theory and practical application of sound, lighting, video and rigging. |
| A3 | Apply knowledge of the wider professional, social and cultural context within which the student is working and demonstrate an ability to critically appraise their own practice in relation to this context. |
| A4 | Explore and assimilate unfamiliar technologies |
| B1 | Relate knowledge of the technologies, their historical, social, cultural, political, philosophical, and economic contexts, to processes of change in social, regulatory and ethical factors. |
| B2 | Articulate awareness of event technology’s position, function and value in human lives, in relation to educational, professional, institutional or community perspectives, including an awareness of contemporary issues in the cultural and creative sectors (for example, policy, funding, organisations) |
| B3 | Critically understand, assimilate and apply information and insights from scholarly discourse (including from other arts or sciences) and relate them to the practice and experience of event technology. |
| B4 | Assimilate and apply knowledge and experience of a broad body of technologies and call upon detailed comprehension of the texts, resources, concepts, and issues associated with them. |
| C1 | Demonstrate and apply the skills and technical agility required to design, build, operate, and manage technical events in a variety of traditional and novel contexts. |
| C2 | Demonstrate and apply enterprise, initiative, and critiquing skills in working with technical events within the wider creative industries. |
| C3 | Conceptualise and conceive solutions to technical problems, applying knowledge and synthesising results. |
| C4 | Present findings and ideas using a range of techniques to enable effective communication of technical concepts clearly to others (prospective clients and project managers). |
Course Structure
Level 4 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| SL1S101 | MOD013145 | StageCraft and Working Professionally | Running | 20 | specified |
| SL1S102 | MOD013146 | Electrical and Technical Fundamentals | Running | 20 | specified |
| SL1S103 | MOD013147 | Sound, Lighting and Video for Theatrical Performances | Running | 20 | specified |
| SL1S104 | MOD013148 | Sound and Lighting for Live Music | Running | 20 | specified |
| SL1S105 | MOD013149 | Computer Aided Design and Conveying Ideas | Running | 20 | specified |
| SL1S106 | MOD013150 | Audio Visual System Design | Running | 20 | specified |
Level 5 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| SL2S201 | MOD013151 | Sound and Lighting for TV and Film | Running | 20 | specified |
| SL2S202 | MOD013152 | Event Data Networks and Wireless Systems | Running | 20 | specified |
| SL2S203 | MOD013153 | Event Rigging | Running | 20 | specified |
| SL2S204 | MOD013154 | Audio Visual Systems for Recording, Broadcast and Streaming | Running | 20 | specified |
| SL2S205 | MOD013155 | Power Systems for Live Events | Running | 20 | specified |
| SL2S206 | MOD013156 | Sound System Engineering | Running | 20 | optional |
| SL2S207 | MOD013157 | Lighting Control Techniques | Running | 20 | optional |
| SL2S210 | MOD013158 | Industry Placement | Running | 120 | optional |
Level 6 Modules
| Module Code | Module Id | Module Title | Module Status | Credit Value | Module Type |
|---|---|---|---|---|---|
| SL3S301 | MOD013159 | Installed Technology Design | Running | 20 | specified |
| SL3S302 | MOD013160 | Project Management and Negotiation | Running | 20 | specified |
| SL3S303 | MOD013161 | Sound, Lighting and Video within Festivals & Touring | Running | 20 | specified |
| SL3S304 | MOD013162 | (Personal) Singleton Project | Running | 20 | specified |
| SL3S305 | MOD013163 | Visual Media and Integration | Running | 20 | specified |
| SL3S306 | MOD013164 | Advanced Broadcast | Running | 20 | optional |
| SL3S307 | MOD013170 | Advanced Lighting Systems | Running | 20 | optional |
| SL3S308 | MOD013171 | Advanced Audio Systems | Running | 20 | optional |
Teaching and Assessment
Learning and Teaching Methods
Employer Engagement
Visiting Speakers
The course has a diverse range of professionals from industry supporting the teaching of full-time members of staff. This format is invaluable at all levels of study, benefitting from specialist discipline input. In addition to this, the Faculty regularly invite speakers from a wide scope of disciplines in the creative industries covering Music Production, Industry and Entrepreneurship as well as speakers from Television, Film and Media. Students are encouraged to also attend cross faculty events where speakers from other specialist areas share their expertise. This encourages building networks within their specialist discipline, the creative industries in general and beyond.
Volunteering
Students are encouraged to engage with opportunities presented throughout their course to help with on the job learning and to expand horizons. The Students’ Union also offers a volunteering service, where students can engage in hobbies or services outside of their course curriculum
Fieldwork
Site visits are an integral part of project work where students survey, document and analyse a building or space, usually along with the client or project representative. This is a valuable chance for discussing and questioning other individuals outside of the university network
Field Trips
Visiting specific places of interest for projects, industry events, as well as international trips presents a good opportunity for the students to show initiative to engage in intellectual discussion with individuals who are there to discuss subjects relative to these spaces.
Work placements
There is ample opportunity presented in the course to prompt work shadowing and experience, as well as formal placements. This is facilitated through externally set briefs, industry guided project work, portfolio reviews and mentor support in year three. We also encourage the students to seek out their own opportunities either through their own contacts or at the networking events organised for them. Where appropriate, we also advise students when positions are available
Work Based Learning
The course includes numerous live briefs, so students will encounter industry contact over the three years.? Design briefs are set relative to live projects working with real organisations and clients to reflect industry processes. Sometimes, these projects work to prompt initial concept ideas for projects to be procured in the future by the client with sometimes further input from students. Students may also pursue additional work-based learning
Sandwich Years
A sandwich year is available between years 2 and 3.
Employer Forums
Due to the format of the course, we can maintain a continuous and proactive dialogue with industry partners, professional mentors and placement employers. We also engage in wider industry specific events that are at the forefront of the discipline.
Means of Assessment
Practical Written Work
Online Open Book Examination
Report
Research Report
Presentation
Project Output
Portfolio
Production
Oral presentation
Observational Journal
Simulation
Portfolio
Critique
Show
Learning Support
Induction
Induction week is a chance for students to settle into university life, and an opportunity for us to allow students to understand what to expect from the coming year of study. This is especially important in the 1st year of study where many will be familiarising themselves with a new learning environment, as well as the staff, the facilities and city. During a formal session for each year, we’ll provide the necessary information regarding timetabling, use of VLE and an outline of the course year’s content. We’ll also spend time to celebrate any achievements the cohort have made during the summer break.
Also, as part of our induction week activities, we will be running a variety of group activities to get students into the mindset of collaborative working, along with a social activity to promote interaction with peers on courses across the school.
For students who may join the course late, they may miss the timetabled Induction. However, since these numbers are often low, staff have capacity to provide a one-on-one welcome to the course, covering the induction material
Personal Academic Coach
Each student is allocated a Personal Academic Coach from the teaching team, who is on hand to support students with any academic issues relevant to their progress on the course. Faculty guidance on PAC meetings leads how these sessions are conducted in an appropriate manner. A bi-product of these one on one sessions is that teaching staff are also able to signpost to students the best pathway to seek support with any personal matters that may be affecting their studies.
Learner Analytics
Since attendance is monitored using Jisc DataX, early interventions can occur where student engagement falls below expectations. Interventions can occur in a variety of ways, depending on the reasoning for low engagement. In the most extreme cases of disengagement, the Student Engagement team are informed, to assist, and step in, especially for Tier 4 International students.
In-person learning is monitored through a sign-in procedure, and engagement with online learning environments is also monitored.
Office hours
Teaching timetables are arranged in a manner that means for the majority of term time, a member of teaching staff will be on campus between the hours of 09:00 and 18:00 on weekdays. On a case by case basis, students will be informed of any drop-in sessions that will be running if module delivery requires this.
Tutorials
The course specialism and its desired outcomes for assessment requires occasional tutorial input. This encourages independent development guided by 1 to 1 tutorials and small group discussions where appropriate. Due to the nature of the method of study, the format of the tutorials is flexible and tailored to work with each individual’s needs.
Seminars
Seminars as regular group discussions are effective in allowing the students to share their progress and opinions, as well as learn from others’ input. It also encourages involvement from all students, so that they can build confidence in presenting their ideas and working progress.
Formative Assessment
Some assignments and modules will allow for formative assessments at key stages in the project development at proposal and concept stages for example. This allows us to provide valuable feedforward input.
Progress meetings
During projects, there are regular group meetings to discuss general progress, clarify brief aims, achieved outcomes and aspirations of the coursework in process. This is an open discussion to ensure that everyone is clear on the agenda of the project and what needs achieving for the final presentation and assessment hand in. We ensure this happens also to meet the expectations of any external clients or organisations involved. We advocate these meetings both for individual outcomes as well as the group work projects
Research Supervision
Research Supervision is prevalent on the final year Individual Project module, where students are supervised on their dissertations. The contact is through email, discussions, meetings and drop-in sessions, apart from timetabled sessions.
Online Resources
All course resources, learning materials, course handbook and module content are available on Blackboard, the University’s Virtual Learning Environment (VLE). Here, there are also further resource links to relevant information within each module page. There are course Twitter, Facebook and Instagram pages that highlight activity and any information about networking events. We inform the students about the use of a number of online journals to support their studies, as well as directing them to links for products and specifiers’ technical information. We also advise on the use of some specific online software tools, such as Lynda.com to help with additional support for software tutorials
Advice Zone
The Student Advice Team are on hand to provide advice and support to students with any issues they may face during their studies, including support for matters surrounding mental health and wellbeing. We actively promote the Student Advice Zone throughout all 3 years of teaching, and highly recommend students engage with study skills and student development workshops where necessary
Disability
The Disability Service is there to provide confidential and tailored support and guidance for students who have disabilities, both seen and unseen, as well as advice on help available for any learning difficulties.
IT/Library
In addition to the resources available at any time via the VLE, we have a great selection of reference material available in the library covering all aspects of the subject area with a fantastic collection of books and journals. Some of these are also available to access online. The course works closely with the librarian to make sure that the content is relevant and as easily accessible as possible for the students. She introduces the library resources in the first few weeks of the year to the new 1st years. Along with their online student account that gives access to Unilearn, email, printing and account activity, the students can use computers and digital equipment available for them in the studio and workshop. These all have industry standard software and also a license to the Autodesk suite to use on their own laptops. They can also access the media loans to borrow any additional IT devices.
Course Exit Points
| Award | Criteria | Final |
|---|---|---|
| Bachelor of Science (with Honours) | 360 credits of which at least 100 must be at Level 6 or above, 120 at Level 5 or above, 120 at Level 4 or above and no more than 20 at Level 3 | Final |
| Certificate of Higher Education | 120 credits of which at least 100 must be at Level 4 or above and no more than 20 at Level 3. | Exit |
| Diploma of Higher Education | 240 credits of which at least 100 must be at Level 5 or above, 120 credits at Level 4 or above and no more than 20 credits at Level 3. | Exit |
Progression Route
Industry Pathways
As a series of examples, we have shown our past students have become: Lighting: Designer, Operator, Programmer, System Designer, Lighting crew chief Live Sound: Systems Engineer, FOH mix, Installer, Sound crew chief, Video Engineer: Vision mixer, Camera operator, Guarantee engineer, Steadicam operator, Systems designer, Vision crew chief, Temporary Power: System designer, Electrician, Installer, Generator engineer, Networking: Systems designer, Installer, Event CCTV designer, Rigging: Systems designer, Ground rigger, Top rigger, Automation engineer, Fly person, Testing engineer, Special Effects systems: Designer, Install engineer, Laser safety officer, Pyrotechnician, Project Management: Production manager, short term and long-term projects – technical aspects, Technical Sales: Head of hire, Head of sales, Venue Management: Venue manager, Venue technical manager, Event manager, Site manager, Safety officer, These roles can be either staff, self-employed or business owner. Any or all these roles can be either employed or self-employed/freelance.
For those students who are motivated there is a shortage of highly skilled technical staff at both low and high level – promotion and growth are definite. Educational pathways FBCI offers an MSc Music Engineering and Production course, which may interest a number of graduates wishing to move from live event to recording and producing within Music Engineering.
MA Film (Production Management) and associated courses may also have some draw for those wishing to take a slightly different direction post-graduation. USW as a whole also offers MSc Project Management, and other related courses for those wishing to embark on a management career.
Externally RWCMD and Confetti (Nottingham Trent University) offer Production Management MA and Backstage Academy offer MA Live Event Design and MSc Creative Technologies for Events.
Entry Requirements
Admission to the course is typically through the following qualifications:
The entry criteria below show the qualification range within which the University will make offers. Most offers we make are at the top of the range, but we take all aspects of an application into consideration and applicants receive a personalised offer. Combinations of qualifications are acceptable and other qualifications not listed here may also be acceptable.
Typical A-Level Offer
BCC - CDD to include a relevant art and design subject (this is equivalent to 104-80 UCAS tariff points).
Typical Welsh BACC Offer
Pass the Advanced Welsh Baccalaureate Diploma with Grade C/D in the Skills Challenge Certificate and BC - CD at A Level with a relevant art and design subject (this is equivalent to 104-80 UCAS tariff points).
Typical BTEC Offer
BTEC Extended Diploma Distinction Merit Merit - Merit Merit Pass in a relevant subject (this is equivalent to 112-80 UCAS tariff points).
Typical IB Offer
Pass the International Baccalaureate Diploma with a minimum score of 29 overall including 5 or above in English at standard level
Typical Access to HE Offer
Pass the Access to HE Diploma?with a minimum of 80 UCAS tariff points
Additional Requirements
GCSEs: The University normally requires a minimum 5 GCSEs including Mathematics/Numeracy and English at Grade C or Grade 4 or above, or their equivalent, but consideration is given to individual circumstances.
Inclusive Curriculum Statement
The University of South Wales operates a policy of inclusive learning, teaching and assessment to ensure that all students have an equal opportunity to fulfil their educational potential. Course teams will have considered ways of designing out any potentially disadvantageous element of courses during the course design process. However some specific needs may remain, details about how to apply to have your needs assessed can be found at: http://unilife.southwales.ac.uk/pages/3040-disability-and-dyslexia-service/
Addendum for Delivery at a Partner Institution
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Methods Of Quality Standards
N/A
Quality Of Standards Indicators
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